Tropical Undertow, 2026
26 × 30 in
66.04 x 76.2 cm
Acrylic, oil stick, painted paper collage on linen
Slow Paradise, 2026
16 × 20 in
40.64 x 50.8 cm
Acrylic, oil stick, painted paper collage on linen
Pink Midnight, 2026
18 × 18 in
45.72 x 45.72 cm
Acrylic, oil stick, painted paper collage on linen
Sleeping Leaf, 2026
22 × 24 in
55.88 x 60.96 cm
Acrylic, oil stick, painted paper collage on linen
Sleeping Pond, 2026
22 × 24 in
55.88 x 60.96 cm
Acrylic, oil stick, painted paper collage on linen
Midnight Lilly, 2026
20 × 24 in
50.8 x 60.96 cm
Acrylic, oil stick, painted paper collage on linen
Botanical Frequency, 2026
26 × 26 in
66.04 x 66.04 cm
Acrylic, oil stick, painted paper collage on linen
Wild Perfume, 2026
18 × 18 in
45.72 x 45.72 cm
Acrylic, oil stick, painted paper collage on linen
Garden Rain, 2026
16 × 16 in
40.64 x 40.64 cm
Acrylic, oil stick, painted paper collage on linen
Jamaican Sunshower, 2026
22 × 24 in
55.88 x 60.96 cm
Acrylic, oil stick, painted paper collage on linen
Purple Drift, 2026
16 × 16 in
40.64 x 40.64 cm
Acrylic, oil stick, painted paper collage on linen
MIDNIGHT GARDEN
2026
“I'm painting the inside of nature—the quiet emotional field that lives beneath its surface. Moments of stillness concealed beneath its layers. Like reflections drifting across water—a pond, a tide pool, a patch of thicket, leaf and moss—catching fragments of light and shadow, those ethereal shifting rhythms just under the surface—that’s what I’m searching for.”
Midnight Garden emerges from an ongoing, intuitive relationship with the natural world. These studies unfold in a space between emotion and memory, where light fractures, forms dissolve, and perception begins to drift. Working through a loose yet deliberate process, Roth allows natural elements to surface and recede across layered, tactile grounds. Forms hover at the edge of recognition, flattening into near abstraction before quietly resolving into something familiar. Beneath this fluidity is an underlying structure, anchoring the work without restricting its movement. Color and form interact as a kind of visual cadence, establishing rhythms of depth, atmosphere, and breath. Built through loose brushwork, wandering line, and moments of collage, the surfaces carry a physical presence—shifting, atmospheric, and alive. Nature serves as a point of departure, while the work moves inward, exploring the tension between what is seen and what is felt. These paintings function as dialogues with nature, at times meditative, inviting the viewer into a space where perception softens, boundaries dissolve, and the inner experience begins to emerge.